Writer Bina Shah ’93 explores how Wellesley has been portrayed in literature—commercial, literary, genre, and the perennial favorite, the campus novel/coming-of-age story.More
Leaders and activists from around the world gathered at Wellesley on April 6 to grapple with important global questions at the “Renewing Democracy: Women Leading the Way” summit.More
Who, in their postmenopausal right mind, would choose to serve once more in a role they had held fresh out of college? Especially when the position is located on the other side of the planet?More
“Connections: An Alumnae Panel” featured a discussion about feminisms across the decades. Pictured are Charlotte Hayes ’75, Vanessa Bennett ’98, Desiree Rogers ’81, Anne Shen Chao ’74, Laila Alawa ’12, and Janet Diederichs ’50.
Richard Howard
Desiree Rogers ’81 moderated a panel about feminisms across the decades.
Richard Howard
Rachel Nagin ’12 and Marta Rainer ’98 performing in a preview of their fall production, “In the Waiting Room” by Lisa Loomer, directed by Nora Hussey, as part of “Intersections: A Faculty Symposium.”
Richard Howard
Smitha Radhakrishnan, associate professor of sociology, performed “Spores of Bluefern” a presentation of prose and dance featuring a celebrated passage from Toni Morrison’s Beloved, as part of “Intersections: A Faculty Symposium.”
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We ask that those who engage in Wellesley magazine's online community act with honesty, integrity, and respect. (Remember the honor code, alums?) We reserve the right to remove comments by impersonators or comments that are not civil and relevant to the subject at hand. By posting here, you are permitting Wellesley magazine to edit and republish your comment in all media. Please remember that all posts are public.